Ouro Preto

Praça Tiradentes
Centro Histórico

The definitive center of the town. On the north side of the square is the Escolas de Minas School of Mines, with a museum of mineralogy. On the south side is the Museu da Inconfidência.

Teatro Municipal
Rua Brigadeiro Musqueira
Daily from noon to 5:30PM

The oldest functioning theater in South America opened in 1770 and still has occasional evening concerts.

Before diving into Ouro Preto´s history, the traveller must be aware that filming or taking picture inside museums and churches is not allowed.

Itacolomi State Park
31 8835-7260
Thurs-Sun from 8AM to 5PM

Shared by the municipalities of Ouro Preto and Mariana is a park which contains very diverse flora and fauna with many hiking opportunities. The centerpiece of the park, Itacolomi Peak, is a pair of rocks, one huge and one much smaller, which can be seen from hilltops around town. Itacolomi means "the Rock and the Boy" in Tupi-Guarani. For experienced hikers, it is possible to take a difficult 12 km trek through the park to visit the village of Lavras Novas and its nearby waterfalls. Visitors to the park must be accompanied by a guide, which can be arranged in advance by telephone.

Mines

mines
Mina Chico Rei
Rua Dom Silvério 108
31 3552-2866
R$10
8AM-6PM
up the hill from Matriz N.S. da Conceição

One of the largest and most-visited gold mines in the area, this mine was named for the legendary Chico Rei see the infobox. Guided tours.

mines
Mina da Passagem
R. do Comércio, 492

This is the world´s largest mine open to the public. In order to reach the mining galleries a small trolley is used and it is held by a steel cable. You descend for 315 meters and the total depth reaches 120 meters. The visit to the mine is accompanied by a guide who normally does not speak English, so make sure you have someone who can translate for you. Apart from the grandiosity of the excavation, there is also a beautiful underground lake. If you plan to take pictures be aware that you will need a tripod and a lower shutter speed. Otherwise your pictures will be either blurred or totally blacked out. R$26 Tours around 30 min can be arranged through:

mines
 

Chico Rei

Another of Ouro Preto's legendary characters is known as Chico Rei, or "King Chico". According to local lore, he was an African king captured and forced into slavery. He was brought to Ouro Preto and forced to work in a gold mine which now bears his name. The story goes that he secretly stashed small pieces of gold in his hair and eventually saved up enough to buy not only his freedom but also the mine itself. He then used the profits from the mine to purchase the freedom of all the slaves working the mine. He is also supposed to have used the mine's gold to both fund and decorate the Igreja Santa Efigênia, the church which became the most important for slaves and their descendants.

mines
Mina Fonte Meu Bem Querer
Rua Padre Faria
Daily from 8AM to 6PM
next to the Capela do Padre Faria

An interesting mine in which you can see petrified trees in the tunnel walls.

mines
OPM Empreendimentos Ltd

Passagem de mariana, on the road to mariana, tel. 31 3557-5001, [email protected], .

mines
Mina Velha
Rua Santa Rita 21
R$5
8:30AM-5PM

Opened in 1704, this is oldest mine in town. This mine was dug by slaves and shows the contrast between hand dug mines and industrially dug mines such as Mina da Passagem. Look for the veins of mica and ocher visible in the tunnel walls. The walking space is very limited and in certain locations can be claustrophobic for those who do not enjoy enclosed spaces.

Museums

museums
Casa dos Contos
Rua São José, 12
31 3551-1444

Once a home of the regional tax collector, this colonial baroque structure served as a jail for revolutionaries in the late 18th century.

museums
Museu da Inconfidência
Praça Tiradentes, 139
31 3551-1121
R$2

This museum is dedicated to the memory of the Inconfidência Mineira, an unsuccessful 1789 revolt against Portuguese rule which was inspired by the American Revolution. The building, itself one of the best extant specimens of colonial baroque architecture, houses the remains of some the revolutionaries, a library and archives, as well as works by artists of the period, including works by Aleijadinho and Manuel da Costa Ataíde.

museums
Casa Guignard
Rua Conde de Bobadela, 110
31 3551-5155

This museum has a collection of paintings by Alberto da Veiga Guignard, an influential painter who lived his last years in the town.

museums
Museu de Arte Sacra
Praça Monsenhor Castilho Barbosa, no number
31 3551-4736
in the basement of Igreja Nossa Senhora do Pilar
museums
Museu do Oratório
Rua Brigadeiro Musqueira, no number
31 3551-5369
R$4
in the annex of Igreja Nossa Senhora do Carmo

This charming museum has a large collection of over 300 elaborately decorated oratories, small portable prayer alters made for home or travel use.

museums
Museu Aleijadinho
Rua Brigadeiro Musqueira, no number
on Praça Antonio Dias, in the sacristy of Igreja Nossa Senhora da Conceição

Many important works by Aleijadinho are elsewhere in the city, but this small museum has a few gems, including a strikingly life-like bust of Saint Francis of Paola. R$3 students half-price.

museums
Museu de Mineralogia
Praça Tiradentes, 20
31 3559-1597 / 3559-3119
R$5

This mineralogy museum has a quite varied collection of minerals from quartz to diamond to uranium, including many rare specimens. Children have free admission.

Churches

churches
Igreja Nossa Senhora do Rosário
Largo do Rosário, no number
31 3551-4736
Free
Tues-Sun 12PM-5PM.

Built in 1785 with slave labor. Slaves were forbidden to worship at any other church. The church has a unique shape, with a contour formed by three convergent ovals.

churches
Matriz de Nossa Senhora da Conceição
Rua Bernardo Vasconcelos/Praça Antônio Dias, no number
Tues-Sun 9AM-10:45AM and 12PM-4:45PM
near Praça Tiradentes

This 1727 church is famous for its 8 lavishly decorated altars. The cemetery here has the grave of Aleijadinho, and the sacristy houses a museum dedicated to him.

churches
Igreja do Bom Jesus do Matosinhos
Rua Alvarenga, no number - Cabeças

The beautiful entranceway was made by Aleijadinho, and many paintings inside are attributed to Manoel da Costa Ataíde.

churches
Igreja da Nossa Senhora do Carmo
Rua Brigadeiro Musqueira, no number

This rococo-style church, built in 1766, holds the last works of Aleijadinho as well as the above-mentioned Oratory Museum.

churches
Igreja de Nossa Senhora do Pilar
Praça Monsenhor Castilho Barbosa, no number
31 3551-4735
R$4.
Tues-Sun 9AM-11AM and 12PM-5PM.

The oldest church in the city was designed by one of Aleijadinho's mentors and completed in 1731 to replace the original main church. Despite the rather stark outward appearance, the interior glistens with almost 1000 pounds of gold and almost 900 pounds of silver. The basement of the church holds the Museum of Sacred Art.

churches
Capela do Padre Faria
Rua Padre Faria, no number

Built in 1710, this is one of the oldest buildings in the region.

churches
Igreja Santa Efigênia
Rua Santa Efigênia

This hilltop church, dedicated to an Ethiopian saint, was very popular with slaves and their descendants. It was supposedly built by Chico Rei and decorated with gold from the mine which bears his name. See below

churches
Igreja de São Francisco de Assis
Largo de Coimbra, no number
31 3551-3282

This unique rococo-style church, built in 1776, is arguably Aleijadinho's greatest work.

churches
Igreja São Francisco de Paula
Rua Padre Rolim, no number
Tues-Sun 9AM-11:15AM and 1:30PM-4:45PM

Completed in the 1898, this church took a whopping 94 years to complete. Inside are Aleijadinho's sculpture of the saint after which it is named, as well as a life-size sculpture of the Last Supper.

churches
Igreja de São José
Rua Teixeira Amaral, no number - Centro

This church, completed in 1811, was partially designed by Aleijadinho. Currently under renovation.

churches
 

Aleijadinho

Many of Ouro Preto's famous structures bear the mark of Antônio Francisco Lisbôa 1738-1810, one of Brazil's most highly-regarded artists. Known as Aleijadinho, or "little cripple" because of the debilitating disease he had possibly leprosy, he was a master of high baroque style and imparted uniquely dramatic effects to his work. He was so active as a painter, sculptor, and architect that it is impossible to visit the area without seeing his work. Legend has it that as Aleijadinho's condition worsened, he lost his fingers but continued his work by strapping tools to his stumps, and when he lost the use of his legs he had assistants carry him to work sites. He eventually went blind from the illness.